On screen the audience sees an empty gravel lot behind the metal wall of a municipal sports arena. Where the crushed stone stops a line of arbor vitae protects the no-man’s-land strip of grass and the handful of buildings farther…
The Anniversary Issue (#21) is Here!
Happy Birthday to us! Issue #21 is officially our anniversary issue. Ten years of publication history and twenty-one issues! We are still standing! BIG thank you to our contributors, the BFLM community, and everyone who has supported us throughout the…
A Review of Johannes Anyuru’s They Will Drown in Their Mothers’ Tears by Linnea Gradin
One of the biggest literary awards for Swedish literature is the August Prize (Augustpriset). It takes its name from one of Sweden’s most famous authors — the fin de siècle playwright and novelist August Strindberg (known for works such as…
Arabesques by David Massey
I have read critics who referred to Henry James’s syntax as involute and to William Faulkner’s as convolute. I do not know that there is any real distinction to be made between the two descriptions; both styles are arabesque; and…
The Sun Also Rises: An Appreciation by David Massey
An old friend of mine dismissed Ernest Hemingway’s The Sun Also Rises as a period piece. Let’s examine that a bit. In the first place, all novels are period pieces. The Tale of Genji, Don Quixote de la Mancha, and…
Sappho’s Literary Visuals of the Archaic Period by Mercury-Marvin Sunderland
According to Hurwit’s features of the Archaic style, there are several common themes of this time period — “reliance on schemata,” “impulse for pattern,” “domination of surface and plane,” linearity, ornamentality, and “explicitness and impassivity.” While these are obviously traits…